This chapter is an excerpt from A Woven World. Set in Paris and Lyon, it tracks my journey in search of my great-grandmother who was a dressmaker for Empress Eugenie in France’s “Second Empire” and my celebration of makers.
An excerpt from A WOVEN WORLD, this chapter was inspired by the magnificent Yves Saint Laurent “sardine dress” exhibited at the Costume Institute of the Metropolitan Museum of Art in New York City.
“Made from black silk crepe, its surface is covered with an imbrication of black and pewter beads, the fish scale motif created with blue, gray, black, brown, silver, and opalescent gelatin sequins. The colors are so subtle that they bleed into one shimmer like the disappearing light a herring casts as it darts through the water.”
My poems “The Bog” and “Views of Nature” join in the company with a marvel of other writers
including Kevin Young, Rita Dove, Craig Santos Perez, and David St. John.
“Letter to 2050” published in January 2021 issue of Scientific American in the Meter feature curated by Dava Sobel. https://www.scientificamerican.com/article/poem-letter-to-2050/
Tune in to our December 3, 2020 conversation. https://www.youtube.com/watch?v=GAW5UhKu9Hg
Adam and I talk discuss my forthcoming book A Woven World, fishermen, women forgotten in history, how and why I keep journals, and more.
Part memoir, part elegy, part cultural history, A Woven World celebrates the fading crafts, cottage industries, and artisans that have defined communities for generations.
Sensing a need to preserve the crafts and stories of our founding communities, and inspired by an exhibit at the Metropolitan Museum of Art’s Costume Institute featuring Yves St. Laurent’s “Sardine Dress,” Deming turned to the industries of her ancestors, on Grand Manan Island, a community of 2500 residents, and New York City, a metropolis of millions. Both offer stories of old ways of knowing and being perfectly suited to their time and place that are currently in danger of fading away. Resisting history’s erasure, Deming reweaves the fabric of those lives. A Woven World is a quest for continuity and belonging in a time of destabilizing change. One way to face loss is to give a presence on the page to beloved people, places, and practices, uncovering and preserving a record of the ingenuity and dignity that comes with such work. In this way the lament can become a praise song, a testament to the beauty and fragility of human making.
The book unearths wonders in its journey through family and environmental history to find: the unmarked grave of a grandmother, a fisherman lost at sea afloat for a week in his dory, a seal skin coat, flowers placed in bullet holes in glass after terrorist attacks in Paris, the humble herring underpinning civilization for centuries, Vermeer’s portrait of The Lacemaker, a seal rising up through the floor of an Icelandic cottager, the historic silk weavers of Lyon, prom dresses and crinolines, a Manhattan Subway sandwich shop where once a dressmaking business thrived, the bounty and beauty of a herring harvest, the silences of women lost to history, and so much more.
The author is grateful to the Guggenheim Foundation for a fellowship that supported the research and writing on this project. The book will be published by Counterpoint Press August 2021.
“With the skill and care of an artisan poet, Alison Hawthorne Deming’s “The Woven World” brings us the textures of nearly lost words and the craft that required them. Her tactile exploration of makers from fisherfolk to dressmakers makes me long for the embrace of a handsewn garment, stitched of relationships to land and history, embroidered with story.” Robin Wall Kimmerer
Poetry Centered features curated selections from voca, the University of Arizona Poetry Center’s online audiovisual archive of more than 1,000 recordings of poets reading their work during visits to the Center between 1963 and today. In each episode, a guest poet introduces three poems from voca, sharing their insights about the remarkable performances recorded in our archive. Each episode concludes with the guest poet reading a poem of their own. Our inaugural season includes episodes hosted by Hanif Abdurraqib, Alison Hawthorne Deming, Ada Limón, Urayoán Noel, Maggie Smith, and TC Tolbert. Subscribe wherever you get your podcasts.
AHD podcast is live now!
1.1 The Big Story of Life on Earth
Alison Hawthorne Deming introduces recordings of Diane Ackerman reading a love poem for an extraterrestrial (“Ode to the Alien”), Cornelius Eady choosing gratitude as a response to anger and racial discrimination (“Gratitude”), and N. Scott Momaday describing a memorable encounter with Georgia O’Keeffe (“Forms of the Earth at Abiquiu”). Deming also reads a new poem written during this time of quarantine and isolation, “Territory Drive,” originally published at Terrain.org.
This collection began with my Letter to America published in terrain.org just after to cataclysmic 2016 election. I wrote: “Think of the great spirit of inventiveness the Earth calls forth after each major disturbance it suffers. Be artful, inventive, and just, my friends, but do not be silent.” Hundreds answered the call in terrain, driven by outrage, heartbreak, and determination. Many of those works are now collected in this volume edited by Simmons Buntin, Elizabeth Dodd, and Derek Sheffield from Trinity University Press. Visit terrain.org/dear-america for multimedia and other resources to support the reading, discussion, and teaching of the book. http://tupress.org/books/dear-america/
VISIT http://WWW.FIELDSTUDIESWRITING.COM FOR 2019 WRITING:
FIELD STUDIES SOUTHWEST BY KATERINA IVANOV, LOGAN PHILLIPS, AND MIRANDA TRIMMIER
GRAND MANAN FIELD STUDIES BY KIM BUSSING, EMILIO CARRERO, AND KEVIN MOSBY