ASSSOCIATED WRITING PROGRAMS IN LOS ANGELES

I’ll be at the AWP Annual Conference in Los Angeles. Catch me at these events:

FEATURED EVENT SPONSORED BY RED HEN PRESS: “POETRY OF THE WEST” 

With Will Alexander, Peggy Shumaker, Alison Hawthorne Deming, and Harryette Mullen

Saturday, March 29 at 12:10 PM in Petree Hall C, Level 1, Los Angeles Convention Center.

BOOK SIGNINGS

Thursday, March 27 at 1 PM, Red Hen Press Book Fair Booth 345, with Katharine Coles

Friday, March 28 at 1 PM, Terrain.org Book Fair Booth 323-5

 

ON THE TRAIL WITH AHD

I started a Substack! Come find me here making occasional observations, musings, writings, updates on events, and more, including a special feature:

Bonus Poems for Resisting the Coup.

 

TUCSON FESTIVAL OF BOOKS

I will be on two panels at the Tucson Festival of Books. Here’s the scoop! 

Event #1 Details

Title:

What is Ecopoetry?

Location:

Student Union Kiva

Date/Time:

Saturday, 2:30 pm to 3:30 pm

Panelists:

Alison Hawthorne Deming, Jenny Irish, Saretta Morgan

Moderators:

Susan Briante

Genres:

Poetry

Sponsors:

Max McCauslin and John Smith, Frank and Kathryn Hartley

Signing Area:

Sales & Signing Area – UA Campus Store Main Floor

Description

What is ecopoetry and why does it matter? Our three poets will discuss how poetry can explore our connection to the environment. With readings and discussion, they will demonstrate poetry’s ability to reimagine human relationships with the natural world and confront our planet’s crises.


Event #2 Details

Title:

Acts of Defiance

Location:

Student Union Kiva

Date/Time:

Sunday, 4:00 pm to 5:00 pm

Panelists:

Alison Hawthorne Deming, Perry Janes, Farid Matuk

Moderators:

Logan Phillips

Genres:

Poetry

Escorts:

Corrina Margaros

Sponsors:

Max McCauslin and John Smith

Signing Area:

Sales & Signing Area – UA Campus Store Main Floor

Description

Poetry gives us permission to rebel, to misbehave, to speak truth to power and to imagine futures better than the ones we’ve been presented with. With wit, craft, and profound courage, these panelists harness language to celebrate small victories and teach us the joys of artistic disobedience.

For general questions please see the Festival’s FAQ document, which is available here: Tucson Festival of Books | TFOB FAQs (Frequently Asked Questions)

WATERSHED SOUNDSCAPE music + art + landscape

UPCOMING MULTIDISCIPLINARY CONCERTS:

November 21, 2024, 5-7 PM | Watershed Management Group Living Lab | Tucson

November 22, 2024, 5-7 PM | Watershed Management Group Living Lab | Tucson

November 23, 2024, 5-7 PM | Watershed Management Group Living Lab | Tucson

January 25, 2025, 6 PM | Patagonia Opera House | Patagonia

Living Lab tours begin at 5 PM • Concert at 6 PM 

Join us at the WMG Living Lab for a multidisciplinary concert experience exploring the sounds of our watershed. Before the concert, take some time to enjoy rainwater refreshments and tour WMG’s demonstration site for hydro-local living and watershed resilience. The campus is supported by rainwater for all indoor and outdoor needs almost year-round, and includes extensive rain gardens, a native food forest, a 10,000 gallon underground cistern, art exhibits about Tucson’s history of flowing creeks and rivers, a kids’ play area, composting toilets, and so much more.

This unique event is supported by the 2024-2025 AIR Annual Resilience Theme Award.

HEAR MY CONTRIBUTION TO THIS COLLABORATIVE CELEBRATION OF THE WATERSHED:

The music for Sergei Prokofiev’s Quintet, Op. 39 (1924) originated from a chamber ballet, Trapeze, which he composed in Paris for a traveling troupe of five musicians. Unique in its instrumentation and vibrant textures, the piece has been called “one of Prokofiev’s most radical scores.” In this performance, the Quintet is brought into dialogue with excerpts from a contemporary essay, River Notes (2024), which Alison Hawthorne Deming wrote specifically for the Watershed Soundscape project. Here, Prokofiev’s six movements are unceremoniously excerpted and tossed out of order. Mapped onto the themes and colors of Deming’s prose, the music becomes both illustrator and provocateur, providing sonic commentary on themes of our watershed’s environmental and cultural histories.